Tip 2: You need a snowball.
If you've ever tuned in to a comedian halfway through their set you might wonder why everyone is laughing. I felt this while watching a DVD of Robin Williams. I was bored but the audience was in love with him. People are in hysterics because comedians are the sum of all the jokes they have told. We're more willing to laugh at a weak joke in The Simpsons than a weak joke from an amateur. Because one has established itself as a reliable source of funny. I've experienced at this venues that I play at frequently. I can feel that people are laughing because of my reputation. They allow themselves to laugh at my weaker material because they can remember a time when I made them laugh hard.
Establish yourself as a reliable source of funny. I'm a big believer in putting the material that I believe will get a great response near the beginning of my set. When we think of a reputation we think of something established over several years. As a comedian you have to establish your reputation each performance. Whether you're playing a show to strangers or family members -immediately strive for a funny reputation. That way, you win people over and have them laughing at later, mildly funny, jokes. It's a snowball effect. You need to unlock the audience's desire to giggle. They need to trust you -the only reason to trust a comedian is laughter.
I don't strive to put "mildly funny" material in my set. But I can predict that some jokes will cause a huge belly laugh while others will inspire a smirk. Usually I put my second favourite piece near the beginning and I save my favourite piece for about 80% of the way through my set (where a more traditional climax will be).
Showing posts with label stand up tip. Show all posts
Showing posts with label stand up tip. Show all posts
Tuesday, December 23, 2008
Tips for Comedians #1
Tip1: Don't tell jokes. Tell pieces.
This is largest difference between an amateur and a professional stand-up comedian. An amateur will tell one joke and then move on to another joke. A professional tends to move from piece to piece.
For clarity, some definitions:
-A joke is anything that you expect will make the audience laugh.
-A piece is several related jokes.
For instance:
I'll use an example of something that got a great response the last time I did stand up. I've bolded each time I expect the audience to laugh.
Right after he had won Superbowl XXXI Terrel Davis looked at his championship ring and said "It's nice to be immortal." Romanowski popped another champagne bottle and patted him on the back "everyone will remember this game." And Terrel said, "No no no, I mean never dying." The locker room went silent. John Elway was the leader of the team so it was his job to break the news. "Um, Terrel... Superbowl rings don't make you live forever." Davis laughed until he realized his teammates were staring at him. Suddenly he got very serious. "Then why did I spend my whole life playing football?"
There's something about this piece that I can make funny because I love storytelling that requires me to play multiple characters. But there is also something in the structure of the piece that audiences enjoy. It keeps delivering jokes within the same piece. Even great one-liner joke comedians work in pieces.
Consider Mitch Hedberg's piece about fish:
You know on TV when they have a fishing show? They catch the fish but they let it go. They don't want to eat the fish but they do want to make it late for something. (audience laughs) Where were ya? I got caught. (audience laughs) Liar, let me see the inside of your lip.
Occasionally he tells a single joke but more often he tells a piece.
Amateur comedians are often disappointed that their material doesn't seem to have an impact. I find it frustrating when someone has a fun topic but only one joke about it. If you think of something funny, make sure you develop some additional jokes to turn it into a piece. Think in terms of how often you will get a response from the audience. Plan at least two separate lines (more commonly three) that you expect will make them laugh.
This is largest difference between an amateur and a professional stand-up comedian. An amateur will tell one joke and then move on to another joke. A professional tends to move from piece to piece.
For clarity, some definitions:
-A joke is anything that you expect will make the audience laugh.
-A piece is several related jokes.
For instance:
I'll use an example of something that got a great response the last time I did stand up. I've bolded each time I expect the audience to laugh.
Right after he had won Superbowl XXXI Terrel Davis looked at his championship ring and said "It's nice to be immortal." Romanowski popped another champagne bottle and patted him on the back "everyone will remember this game." And Terrel said, "No no no, I mean never dying." The locker room went silent. John Elway was the leader of the team so it was his job to break the news. "Um, Terrel... Superbowl rings don't make you live forever." Davis laughed until he realized his teammates were staring at him. Suddenly he got very serious. "Then why did I spend my whole life playing football?"
There's something about this piece that I can make funny because I love storytelling that requires me to play multiple characters. But there is also something in the structure of the piece that audiences enjoy. It keeps delivering jokes within the same piece. Even great one-liner joke comedians work in pieces.
Consider Mitch Hedberg's piece about fish:
You know on TV when they have a fishing show? They catch the fish but they let it go. They don't want to eat the fish but they do want to make it late for something. (audience laughs) Where were ya? I got caught. (audience laughs) Liar, let me see the inside of your lip.
Occasionally he tells a single joke but more often he tells a piece.
Amateur comedians are often disappointed that their material doesn't seem to have an impact. I find it frustrating when someone has a fun topic but only one joke about it. If you think of something funny, make sure you develop some additional jokes to turn it into a piece. Think in terms of how often you will get a response from the audience. Plan at least two separate lines (more commonly three) that you expect will make them laugh.
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